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The creative meeting of jazz with rock was a time of the most 'significant in the history of musical, artistic and social development of the last century. After free - jazz which appeared as a terminus in the beautiful stylistic evolution of jazz history, needed something that would bring jazz to a new dimension, starting not from that kind of evolution that came from the roots of jazz, however, that the free he strapped on, but from an input that it came from another world parallel creative. The great sense of freedom 'that emanated from the music of the 60s, freedom' that became free artistic expression, in search of boundless fields of sound expression that led to the imagination of the 'conceived of as hitherto, especially from 67 forward. Although it was not the first to experience the jazz-rock, rock - jazz as it was called in the beginning, but managed to grab the opportunity 'to merge the two worlds of jazz and rock, sensing, in particular, the huge opportunity' further opening of the creative and stylistic that this would have entailed was certainly Miles Davis. The intuition of Miles, was enormously successful, so much so that "his jazz - rock" with Btches Brew, a record that was anything but easy listening, even reached the top of the charts, becoming with her "kind of Blue ", the disc more 'sold the history of jazz. There could be no better introduction to the album that Performart from Birches 'Brew Miles Davis There are many elements that accomunanoi (with due humility') The road to Davis's masterpiece with the first CD of Performart. First, "The art of falling in and out of Circle" as "bitches Brew! is not comparable to anything that came out earlier on records. Here too we find acoustic and electric instruments that are "coupled" unexpectedly, quite unusual, alternating and uprooting their respective roles rhythmic, melodic, harmonic and pure sound. |
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